A lengthier sequence of a project initially shown in OnLandscape magazine.
These images interpret and evaluate my emotional connection and reaction to horticultural decay:
These are images of the relation between botanicals and the glass (or polyethene) that controls, contains, or restrains them;
Images reflecting my connection with, but also separation from, my ‘roots’, as my parents run a horticulture business.

Unless otherwise stated, these images were made with Linhof Technikardan S45 and Fuji Velvia 50 5x4 slide film.

(Nikkor-M 300)

(Nikon D800E, 85PC-E tilt-shift)

(Schneider Apo-Symmar MC 150)

(Nikon D800E, 24PC-E tilt-shift) 

(Nikkor-M 300)

(Nikon D800E, 85PC-E tilt-shift)

(Nikon D800E, 85PC-E tilt-shift)

(Nikon D800E, 85PC-E tilt-shift)

(Leica M3, 50 DR Summicron with goggles, Kodak Ektachrome E100)

(Schneider Apo-Symmar MC 150)

(Chamonix 810V, Nikkor-M 450mm f/9, Velvia 50 10x8)

(Schneider Apo-Symmar MC 150)

(Nikkor-W 210)

(Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6, Velvia 50 10x8)

(Schneider Apo-Symmar MC 150)

(Fujinon T 400)

(Chamonix 810V, Nikkor-M 450mm f/9, Velvia 50 10x8)

(Schneider Apo-Symmar MC 150)

(Schneider Apo-Symmar MC 150)

(Nikkor-W 210)

(Nikon D800E, 85PC-E tilt-shift)

(Leica M3, 50mm dual-range summicron, Kodak Ektachrome E100)

(Apple iPhone 6Plus)

(Leica M3, 50mm dual-range summicron, Kodak Ektachrome E100)

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