A series of my favourite tree photographs shot (mostly) on large-format film and a variety of different film stocks for different atmospheres. Velvia 50 and black&white can produce moody contrast; Portra 160 colour negative film can produce light ethereality, and I hope to try my luck with more of the latter to balance out the saturated look that Velvia naturally produces.
Beech Tree, Stone Circle, Arran - Isle of Bute, Scotland
(Portra 160 10x8, Rodenstock Apo-Sironar S 240)
Tumulus and Beech Trees, Wiltshire Ridgeway
(Hasselblad 500C/M Classic, 40mm CF Distagon FLE, Ilford Delta 400)
Sweet Chestnut, Rowsley, Derbyshire (2016)
(Delta 100 5x4, Nikkor-SW 75)
Sweet Chestnut, Rowsley, Derbyshire (2021)
(Portra 160 10x8, Nikkor-SW 150)
Intimate Snowdonia
(5x4, Velvia 50, Nikkor-M 300)
Blenheim Oak, Oxfordshire
(10x8, FP4+, Nikkor-SW 150)
Tumulus and Beech Trees, Wiltshire Ridgeway
(Hasselblad 500C/M Classic, 40mm CF Distagon FLE, Ilford Delta 400)
Chatsworth
(Leica MP, 35 Summilux FLE, Tri-X @ 800)
Oak, Birch, Bracken, Shade, Stanton Moor
(5x4 Velvia 50, Schneider Apo-Symmar MC 150)
