Landscape Window
(10x8 Velvia 50 converted to B&W, Nikkor-M 450)
Cubbington Lament
(Mamiya RZ67, 110mm, Ilford Delta 400)
Cubbington Pear with Dog Bowl
(Mamiya RZ67, 110mm, Ilford Delta 400)
Magpie Mine Argyrotype
(10x8, Nikkor-M 450)
Argyrotype sensitiser dried for 2hrs20mins before exposure, 21ºC, 44% relative humidity
Normanton Down
(Hasselblad 500C/M, 80 Planar, Kodak Portra 400)
Gap in the Hedge
(Leica M3, 50 DR Summicron, Ilford Delta 100)
"Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too..."
(Leica M3, 50 DR Summicron, Ilford Delta 100)
Path between the trees
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
Bloxham to Adderbury
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
Bloxham Grove
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
After the Ritual 1
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
After the Ritual 2
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
After the Ritual 3
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
After the Ritual 4
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
After the Ritual 5
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
After the Ritual 6
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
After the Ritual 7
(Leica M3, 50 DR Summicron, Ilford Delta 3200)
The company of Skylarks
(10x8 Velvia 50 converted to B&W, Nikkor-W 300)
Bonsall Moor Barn Argyrotype
10x8 contact print, Chamonix 810V, Rodenstock Apo-Sironar S 240mm, Ilford FP4+
Argyrotype sensitiser dried for 15mins before exposure, 20ºC, 50% RH
Ash Tree with Sheep
(Leica MP, Summilux 35mm f/1.4 ASPH, orange filter, Kodak TriX @ 1600)
Auchindrain, Argyll
(Leica M3, 50 DR Summicron, Ilford Delta 400)
Dungeness
(Mamiya RZ67 Pro II, 110mm, Ilford Delta 400)
That Secret Stillness (Argyrotype)
10x8 contact print, Chamonix 810V, Nikkor-SW 150mm, Ilford FP4+
Argyrotype sensitiser dried for 3hrs15mins before exposure, 21.5ºC, 52% RH
Awaiting the Wanderer (Dungeness), Argyrotype
12.5x10" digital negative contact print from 6x7 medium format film negative
